A story of India's journey through the past, present, and future. Here, we learn how India has kept up with the modernity while remembering the integral traditions and cultures we possess. Come, join us on this journey as we travel through the story of food, faith, the leaders of the country, and more.

Two sisters, twenty-two and nine in age, lived all their lives with their father, deep in the country where even electricity is an unaffordable luxury. One day, after a bizarre turn of events, they end up in Seoul. The two sisters encounter a severe case of cultural shock as soon as they hit the city. Building forests, computers, department stores, subways, cell phone To 9-year old Shin-ae, who had never seen these before, Seoul is like a fantasy that can sometimes be difficult to fathom.Meanwhile, a peculiar family lives at a corner of a residential area in Seongbuk-dong.Sun-jae is the president of a small food company.At 72, Sun-jae falls head over heels in love just as his life is slowly winding down. His granddaughter Hae-ri shrieks every morning in the bathroom over her constipation. All the other members of this family have some sort of defect. The most invisible son-in-law in Seongbuk-dong, the EQ-deficient doctor, the perverted female teacher Come to think of it, every man living in this day and age harbors some kind of unique defect.This is why they shout confidently, "Only those of you who are perfect may throw stones at us!" is a sitcom portraying the uplifting comedic story of two sisters who begin to work at Sun-jae's house as maids and their episodes with members of this family. At the same time, it is a drama of these two girls blossoming into young women as they fall in love.

The film marks 50 years since riots erupted across Northern Ireland, widely seen as the beginning of the thirty-year conflict known as The Troubles. Mark Cousins – who left Belfast at 18 – returns to his hometown to reflect on how the place and its history have been used and occasionally abused by cinema. He traces how the legacy of division has impacted on the nation’s cinematic imagination; and, in a city that once had one of the highest rates of movie-going in the UK, he scrambles around the ruins of Belfast’s once-grand cinemas.

"Discover Dr Anil Prakash Joshi's Himalayan journey in 'A Son Of Himalaya". From rural roots to ecological visionary, witness his symphony of sustainability, GEP innovation, and the transformative power of nature's whispers.

As the denizens of a Tibetan village prepare for their arduous annual trek to exchange salt for grain, the community's allegiances are split between aging chieftain Tinle (Thilen Lhondup) and rebellious young Karma (Gurgon Kyap). Tinle tries to maintain his clout and preserve obedience to ancient customs when Karma challenges the old man's power.

A live investigation of the supernatural goes horribly wrong, unleashing a primitive Himalayan creature known as the Snow Ghost.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

When Littlefoot grandfather falls ill, The dinosaurs only way to cure him is a flower in the forbidding land of mist which hold unexpecting perils and danger.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.

Bun-Yi is sold to a bar for her widowed mother and young sister. There, she meets Dal-Jung and through his arrangement, she gets married into the rural rich Choi family as the wife of the youngest son. She lives as if she were housemaid looking after her mentally deficient husband Young-Ku, parents-in-law, and sister-in-law, and gives birth to a precious son. But she is driven out of the house because of mother-in-law and sister-in-law's evil plot. Going around from restaurants to restaurants, she becomes a owner of a restaurant and lives helping the poor children. Later, she comes to meet Young-Ku working as a shoe shining man in Busan. Mother-in-law and sister-in-law regret their faults in past and Bun-Yi regains their old house. Thus, all of them return to their hometown and live a happy life.